#1585 Halloween 2021: The Aftermath aka Zombie Aftermath (1982)

I’ve been somewhat in the know about the cult status of The Aftermath, but 30 minutes in to the movie I did not understand quite why; it’s pretty shoddy, but not quite bad enough to entertain, and visually it’s more close to movies you’d see towards the early 70s – including its beginning, lifted straight out of the original Planet of the Apes. Also the way the camera was operated and framed seemed to be a bit off all times.

It was only after digging to the internet for more information that I learned how the whole movie is a brainchild of the movie’s lead Steve Barkett, who also wrote, directed and edited the movie. Considering how much harder all this was not only to finance, but to pull off technically, my hat is off to Barkett. Overall, well done – the movie looks better than many bigger budget movies of the 1978.

You read it right. The movie was actually shot originally in 1978, but it took Barkett four years to shoot additional footage and to get the movie released. Released in the UK as Zombie Aftermath, the movie does not actually contain any zombies, and is very slim in the scary department as well, falling more closely to dystopian action movie category, rather than horror.

80s-o-meter: 28%

Total: 45%

#1584 Halloween 2021: Sweet Sixteen aka Sweet 16 (1983)

Here’s another slasher I’ve mixed up with many similarly named slashers – Bloody Birthday, Happy Birthday to Me 15 and to name a few.

Sweet 16 draws its inspiration (quite loosely) from native Americans, mixes in some weak mythology and puts them up against racist rednecks and watches them clash. Everyone bad gets what’s coming to them and then it’s up to the viewer to start the guesswork who was the actual killer, and watch through to the totally expected last minute jump scare attempt.

The movie is not exceptional in any sense, and was going for a passable rating. But here’s the thing: I really hate the exploitative sexual angle in the marketing of this movie that has nothing to do with the theme (or the actual content) of the movie – and loathe it even more for it targeting 16-year olds.

Cheap trash, this one.

80s-o-meter: 80%

Total: 18%

#1583 Halloween 2021: Star Crystal (1986)

You’ve seen the beginning of Star Crystal before: starship crew on a expedition on a remote planet (well not too remote, Mars) brings into the ship something containing an alien life form that gets quite unhappy with the humen aboard.

After a few goofy deaths with passable FX the movie seems to be all out of crew to sacrifice to the creature. But here is where the movie actually genre blends into an exploration of the inner life of the alien, who is now busy absorbing all the information of the humankind (good and bad) stored on the starship’s mainframe computer.

The change is unexpected and not without problems – the action totally plateaus just when you expect it to go into the next gear. But even if the movie turns into close encounters of the boring kind, I do applaud the film crew’s courage of wandering off the beaten path and trying something new.

It is the very only reason why the movie left any lasting impression.

80s-o-meter: 89%

Total: 63%

#1582 Halloween 2021: The Head Hunter aka Headhunter (1988)

It was usually the Italian film production companies that migrated to Miami to shoot their films with American actors, so Headhunter with its South-African film crew is bit of an anomaly in this aspect.

That is not all the movie has in common with its Italian counterparts; it is visually quite apt (special effects notwithstanding) and on the surface level it feels as a quite passable small horror movie where an evil spirit is chopping off heads for their personal collection.

The idea of the bad entity works, but then the movie gets unfocused with tribal African mumbo jumbo, and other similar aspects like the cop’s domestic affairs that just had me snooze off. Movie gets once again mildly more interesting towards the end as the evil becomes a shape shifter and things get almost hilariously (but not quite enough!) overboard.

80s-o-meter: 90%

Total: 61%

#1581 Halloween 2021: A Return to Salem’s Lot (1987)

A continuum to the 1979 CBS TV adaptation of the Stephen King’s 1975 novel of the same name, Larry Cohen’s A Return to Salem’s Lot is in independent continuum to the the series where a reporter is persuaded into writing a comprehensive history of the vampires occupying the small fictional town of Jerusalem’s Lot.

I don’t know how faithful is the newer version to the original, not having either watched the mini series or read the book, but on the surface it seems that only the overall theme is used, along with the main antagonist from the TV series being used on the VHS cover, likely to have a stronger connection with the original. In this sequel the character is not to be found.

But a quite decent vampire movie is to be found here. Michael Moriarty has always been quite a mixed bag for me, but here he does well, and the weird co-existence with the vampiric townsfolk is interesting to watch. The real delight of the movie though is Samuel Fuller in the role of Dr. Van Meer, an old eccentric vampire killer.

80s-o-meter: 80%

Total: 70%

#1580 Halloween 2021: The Carrier (1988)

The Carrier depicts a small rural town where after being attacked by a creature, a local boy becomes a carrier of a strange disease that charges everything he touches with flesh eating powers invisible to the naked eye.

What happens after the town folk find out about the disease spread by an unknown culprit is where The Carrier really gets interesting. A wave of panic and paranoia ensues; people try to cover up with whatever plastic bags they can find, turning the town into kind of a current day version of Mad Max. The disease is horrible – but even more frightening is the way it turns people against each other, not tearing through, but completely wiping out the fabric of the society overnight.

The Carrier was a truly pleasant surprise that successfully plans together horror and social commentary (not forgetting the very obvious comedy aspect). This is the unexpected sleeper 80s hit of this Halloween.

80s-o-meter: 57%

Total: 91%

#1579 Halloween 2021: Primal Rage (1988)

Bo Svenson became the unexpected antagonist star of this Halloween. His hard boiled detective character levelled up Night Warning, and in Primal Rage he plays a scientist that whips up a virus that causes people becoming berserk killers.

Primal Rage is an Italian production shot in Miami, but it does not show at all, and the production quality is right up there with similar Hollywood movies. As a movie it’s bit off an uphill and downhill ride: the title and the video cover are great, and the movie shows a lot of promise, but does not quite redeem any of its promises.

The last 20 minutes of the movie is actually pretty entertaining (including a totally hilarious ending), and redeem a lot of its earlier shortcomings.

80s-o-meter: 89%

Total: 68%

#1578 Halloween 2021: The Power (1984)

Movies can be like a hand of poker. The bluff you in with an alluring poster, interesting premise and a strong beginning, but as the story progresses, it becomes quite clear that they’re playing with an empty hand.

With The Power the directors Stephen Carpenter and Jeffrey Obrow have an ace-high. The plot of a evil Aztec doll giving people great power but destroying them in exchange is a spinoff of a classic Faust pact-with-a-devil tale, but instead of expanding or taking the concept to the next level The Power seems to just lose the very essence of the classic story in translation.

The very movie-like atmosphere and special effects in a good tradition of 80s horror cinema manage to partially redeem the movie, but in the end it’s just too little, too late.

80s-o-meter: 89%

Total: 58%

#1577 Halloween 2021: Lords of the Deep (1989)

Something extraordinary weird happened in 1989: a staggering five production companies released an underwater scifi movie back to back. The best known out of these five is naturally The Abyss, while the fate of the four others remains to be always compared to the James Cameron’s masterpiece.

Lords of the Deep does unfortunately not fare well in the comparison with any of its competitors, ending up the weakest one of the bunch by margin. The movie reminds more of a low budget TV series (think underwater Star Trek), but despite the shortcomings of the set design and costumes the movie manages to sell the idea of an underwater base – if only barely. The same does not apply for alien lifeform, and it would require quite a bit more imagination than what I have to buy the silly storyline.

As with Star Trek, there’s something strangely endearing about the clumsiness and silly costumes though, and in an alternate universe Lords of the Deep might’ve had a somewhat potent one or two season TV series in it.

80s-o-meter: 90%

Total: 42%

#1576 Halloween 2021: Aerobicide aka Killer Workout (1987)

Somebody is wasting people inside a small gym. And instead of closing it down, the gym is kept running while mutilated bodies fall out of every locker room and broom closet. Because, why not?

Aerobicide is light weight entertainment with light weight slasher elements in it. The movie never manages to be quite scary and the writer/director David A. Prior does not seem to have any elementary clue of how to build up suspense; the movie just moves from one killing to the next, and they viewer could not care less who’s next one to go. The same shallowness worked well in Prior’s Deadly Prey, but here everything just feels far too fluffy.

I did like the theme although Aerobicide does not do much with it. I mean, what could be more 80s than aerobics, sweat bands and leg warmers? Plus it seems to act as a quite potent padding material, filling up many precious minutes out of the movie’s measly running time of just 79 minutes.

80s-o-meter: 94%

Total: 38%

#1575 Halloween 2021: Girls School Screamers (1985)

If something, Troma is never boring. It can be bad, and it can be totally tasteless – but never boring.

Cue in Girls School Screamers that right off the bat feels quite a different kind of Troma movie, like if they were really making a big push for the main stream cinema. The production quality is on a quite different level, and Girls School Screamers doesn’t look amateurish at all, but the movie is totally uneventful, and downright dull, which is truly a shame after that movie’s superb starting with a boy wandering into the old abandoned house. In fact, the starting scene feels like .. almost like from a different movie.

There’s a reason for that. Girls School Screamers actually started out as a haunter house movie called The Portrait shot in the 1985. Troma then picked up the project, added a few gory scenes in the movie and changed its title.

And it’s these hilariously gory small inserts that end up the only thing really working in this snoozefest.

80s-o-meter: 91%

Total: 58%

#1574 Halloween 2021: I Was a Teenage Zombie (1987)

Don’t let the (relatively) nice poster fool you: I Was a Teenage Zombie is a shoelace budgeted, amateurish horror movie that has nothing to offer but horrible production quality and bad makeup.

And it’s not even the teenage main character that gets turned into a zombie but a 70s style hispanic pimp (read: falls into a river and climbs up with his face mucked with green body paint). Then, he then goes around humping people. I kid you not.

You have to wait until the one hour mark for anything interesting to happen to the actual teenager, and even after that it’s not too interesting. He gets body painted in a similar fashion and walks around cluelessly until he fights the pimp, and the end credits roll.

It’s not every day that one comes across something this inadequate.

80s-o-meter: 52%

Total: 0%

#1573 Halloween 2021: Bloody Birthday aka Hide and Go Kill (1981)

First movie of this Halloween with them creepy kids, Bloody Birthday presents us the concept of three kids being born during an evil solar eclipse that plants a seed if evil in them that activates ten years later, effectively turning them into little psychopaths who plot to act sweet and kill everybody in their path.

The concept works and all three actually make for pretty credible killers that seem to ooze evil, especially the sweet little Elizabeth Hoy in the role of Debbie. Typical shortcomings of slashers plague Bloody Birthday as well but I did like the way the kids weren’t staged as your typical unerring evil masterminds: they work their little brains to no end trying to find out how to kill people, often failing miserably.

Bloody Birthday should not be mixed up with Happy Birthday To Me, another similarly named (but very different) slasher from 1981.

80s-o-meter: 80%

Total: 60%

#1572 Halloween 2021: Toxic Zombies aka Bloodeaters aka Forest of Fear (1980)

One more low budget indie zombie movie to shy away from, Toxic Zombies does little or nothing better than any of its contemporary rivals.

A pesticide is dropped on top of a few teenage campers, turning them into – you guessed it – blood lusting zombies. Typically with these kind of cheap productions the primus motor has been ”that weird neighbour kid” into gory special effects, who’s then all grown up and releases that one uninspired cookie cutter horror movie with horrid production quality, but inventive use of special effects.

Toxic Zombies doesn’t even have that going for it. Story wise there’s a bit more effort to it than other indie horror films, and the mood gets ok at times, but really, there’s nothing here to phone home about.

80s-o-meter: 57%

Total: 26%

#1571 Halloween 2021: Berserker (1987)

A good rule of thumb is that what it comes to horror and suspense, it’s not what you see, but what you don’t.

But Berserker takes all this too far by spraying all the scenes full of thick machine fog that makes it hard to make see just about anything. The concept of some ancient viking who would be possessed by a Berserker rage making them strong enough to fight a bear is there only to later demonstrate some bear handler wrestling with a grizzly.

Plus, the whole concept is just another spinoff of your tired slasher formula where a group of horny teenagers wander off to a remote forest, have sex and get killed. And that norse supernatural nonsense does not make that formula any more interesting.

80s-o-meter: 81%

Total: 28%

#1570 Halloween 2021: Dark Tower (1987)

Contesting for the stupidest horror movie concept this year, Dark Tower tries to sell the viewer an idea of an evil office tower that is out to get the architect.

The concept of the high altitude office building horror reminded me of Michael Moriarty’s earlier Q – The Winged Serpent, but has quite a bit less of everything going for it. And unlike the earlier Spellbinder, the movie does not manage to sell the supernatural concept at all, ending up just plain stupid.

I was hoping that at least the movie could get some additional mileage out of its exotic location of Barcelona, Spain, but the movie does not embrace this aspect at all, and could’ve been shot in any generic office in any generic city.

80s-o-meter: 58%

Total: 11%

#1569 Halloween 2021: Spellbinder aka Witching Hour (1988)

I’m not one for horror thrillers with an erotic twist to them – but hey, if it stars Kelly Preston, I’ll take it.

That coupled with the fact that Spellbinder is actually quite apt movie with a great late 80s style to it make the movie easy to recommend. The supernatural aspects of many horror movies can always be quite hard to sell for the viewer, but thanks to the highly entertaining nature of the movie, it’s easy to just go with the flow.

And the movie never wanders too far into the magical mumbo jumbo, but instead concentrates to tell the story through quite interesting array of characters and keeping the suspense level high until the end.

80s-o-meter: 92%

Total: 85%

#1568 Halloween 2021: Night Warning aka The Evil Protege aka Thrilled to Death aka Butcher, Baker, Nightmare Maker (1981)

Halloween 2021 kicks off with a movie with an awful lot of alternative titles, one worse and more confusing than another.

Much to my surprise Night Warning is actually one of the better horror thrillers that starts well, and antes up multiple times towards the end, eventually getting pretty weird and downright sick. Other than that, it’s hard to describe the movie more closely without giving something away.

Susan Tyrrell is a perfect fit for the weird ant, and Bo Svenson’s role as a ridiculously hard boiled detective is written smartly to play it away from the typical clichés; I for one did not see the ending turning out as it did. I also found the young Jimmy McNichol previously unknown to me due to his short-lived acting career a surprisingly radiant lead, with the boyish charm not unlike that of one Matthew Broderick.

80s-o-meter: 80%

Total: 82%

#1567 The Last Fling (1987)

John Ritter and Connie Sellecca, both seasoned TV and made for TV movie actors star in this TV movie made by ABC. As far as made for TV movies go, this one fares very well, resembling your quite average feature film made with a modest budget, and actually got distributed widely as a rental movie as well.

Ritter plays a popular playboy grown tired of one night stands, while Sellecca portrays a role of a fiancée who goes out to try to match her groom’s wild stag party – with dire consequences.

The story is nothing to write to home about, but solid acting work of both leads and good production quality make The Last Fling an a-ok time passer.

80s-o-meter: 90%

Total: 72%